{"id":20,"date":"2019-06-23T17:04:48","date_gmt":"2019-06-23T17:04:48","guid":{"rendered":"http:\/\/www.farny.eu\/?page_id=20"},"modified":"2019-08-21T16:32:46","modified_gmt":"2019-08-21T15:32:46","slug":"about","status":"publish","type":"page","link":"https:\/\/www.farny.eu\/?page_id=20","title":{"rendered":"O mn\u011b"},"content":{"rendered":"\n
\"\"<\/figure>\n\n\n\n

\nV\u00edt\u011bzslav\nFarn\u00fd se narodil 29.\u0159\u00edjna 1953 v Prost\u011bjov\u011b.<\/p>\n\n\n\n

\nJe\u0161t\u011b\nb\u011bhem studia na St\u0159edn\u00ed \u0161kole filmov\u00e9 nastoupil jako asistent\nkamery do \u010ceskoslovensk\u00e9 televize.<\/p>\n\n\n\n

\n Dnes\npracuje jako kameraman \u010cesk\u00e9 televize.<\/p>\n\n\n\n

\n Prvn\u00ed\nobraz namaloval v roce 1995. „Prost\u011b\nse mi cht\u011blo,“ odpov\u00edd\u00e1\nna ot\u00e1zku, pro\u010d se po dvaceti letech pr\u00e1ce kameramana rozhodl vz\u00edt\ndo ruky \u0161t\u011btec. „Za\nkamerou je \u010dlov\u011bk v podstat\u011b st\u00e1le k n\u011b\u010demu nucen a\nmanipulov\u00e1n. M\u00e1 p\u0159edem ur\u010den\u00fd prostor, akt\u00e9ry i my\u0161lenku,\nkde\u017eto p\u0159i malov\u00e1n\u00ed z\u016fst\u00e1v\u00e1m s\u00e1m a jsem limitov\u00e1n jen\nvlastn\u00ed p\u0159edstavivost\u00ed. Jako kameraman jsem dosud obrazy jen\nsn\u00edmal, te\u010f se je sna\u017e\u00edm vytv\u00e1\u0159et.“<\/p>\n\n\n\n

S\u00e1m sebe charakterizuje V. Farn\u00fd jako optimistu, jen\u017e c\u00edt\u00ed uspokojen\u00ed, kdy\u017e se mu to hezk\u00e9 poda\u0159\u00ed p\u0159en\u00e9st nejen do vlastn\u00ed malby, ale skrze ni tak\u00e9 vn\u011b, do prostoru kolem jeho d\u00edla.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

\n„Nechci\ndo obraz\u016f prom\u00edtat smutek a roz\u010darov\u00e1n\u00ed, kter\u00e9 jako ka\u017ed\u00fd\nnorm\u00e1ln\u00ed \u010dlov\u011bk z tohoto sv\u011bta ob\u010das m\u00edv\u00e1m. V\u00edm, \u017ee s\u00e1m\nbych si na ze\u010f doma nepov\u011bsil je\u0161t\u011b dal\u0161\u00ed depresi,“ \u0159\u00edk\u00e1.\nT\u00e9mata obraz\u016f \u010derpaj\u00ed z nahodil\u00fdch moment\u016f jeho vlastn\u00edho\n\u017eivota a z jejich pom\u00edjivosti \u010din\u00ed konstantu. „Vkl\u00e1d\u00e1m\ndo obraz\u016f vlastn\u00ed vzpom\u00ednky. Nemaluju konkr\u00e9tn\u00ed v\u011bci, ale\nn\u00e1lady, jevy. R\u00e1d bych nahl\u00e9dl do citu ur\u010dit\u00fdch skute\u010dnost\u00ed.\nObraz m\u00e1 toti\u017e tu s\u00edlu, \u017ee dok\u00e1\u017ee zastavit a uchovat chvilkov\u00fd\ndojem, stav mysli, kter\u00e9 by v \u017eivot\u011b jinak pominuly, byly\nvytla\u010deny n\u011b\u010d\u00edm jin\u00fdm.<\/p>\n\n\n\n

\n Vzpom\u00edn\u00e1m\nsi, jak jsem jednou r\u00e1no sed\u011bl na okraji louky u lesa. Bylo to na\nkonci jara, v\u0161echno bylo je\u0161t\u011b syt\u011b zelen\u00e9, tr\u00e1va byla vysok\u00e1,\nnepokosen\u00e1. V jeden moment se do louky o n\u011bco siln\u011bji op\u0159el v\u00edtr\na nar\u00e1z jakoby nastala exploze. Do vzduchu vzl\u00e9tlo mra\u010dno pylu a\nsemen, mezi t\u00edm v\u0161\u00edm bzu\u010delo obrovsk\u00e9 mno\u017estv\u00ed poletuj\u00edc\u00edho\nhmyzu a j\u00e1 si uv\u011bdomil, \u017ee vlastn\u011b stoj\u00edm uprost\u0159ed monstr\u00f3zn\u00ed\nkopulace strom\u016f, rostlin, brouk\u016f a b\u016fhv\u00ed \u010deho v\u0161eho je\u0161t\u011b, a\nm\u00e1m z toho ohromnou radost. Radost, \u017ee sv\u011bt po\u0159\u00e1d funguje\nnorm\u00e1ln\u011b. V ateli\u00e9ru potom, jsem se to pokusil dostat na pl\u00e1tno.\nNikoli tu kopulaci, ale tu euforii, ten pocit, kter\u00fd se m\u011b v ten\nokam\u017eik zmocnil. A o tom jsou moje obrazy.“<\/p>\n\n\n\n

\n Na\nrozd\u00edl od motiv\u016f, n\u00e1zvy sv\u00fdch obraz\u016f nehled\u00e1 dlouho. „N\u00e1zev\nje vlastn\u011b d\u00e1n p\u0159edem a vypl\u00fdv\u00e1 z t\u00e9matu. Po pravd\u011b \u0159e\u010deno,\nobraz\u016fm ale nerad d\u00e1v\u00e1m konkr\u00e9tn\u00ed n\u00e1zvy. Obrazy toti\u017e maj\u00ed\nschopnost komunikovat a ka\u017ed\u00fd z pl\u00e1tna m\u016f\u017ee c\u00edtit n\u011bco jin\u00e9ho.\nN\u011bco, co se v\u00edc bl\u00ed\u017e\u00ed jeho vlastn\u00edmu pro\u017eitku a vid\u011bn\u00ed.\nD\u016fle\u017eit\u00fd je toti\u017e pr\u00e1v\u011b ten moment, kdy\u017e obraz \u010dlov\u011bka\noslov\u00ed. V tu chv\u00edli lze \u0159\u00edci, \u017ee obraz je v\u00edc, ne\u017e jen barevn\u00e1\nkompozice.<\/p>\n\n\n\n

\n K\nobraz\u016fm m\u00e1m osobn\u00ed vztah a nerad se s nimi lou\u010d\u00edm. Vznik obrazu\na\u017e do jeho v\u00fdsledn\u00e9 podoby c\u00edt\u00edm jako dialog mezi mnou a\npl\u00e1tnem. Stane se, \u017ee u\u017e rozvrstven\u00fd motiv opust\u00edm a na jeho\nplo\u0161e vznik\u00e1 obraz \u00fapln\u011b nov\u00fd. Jedno pl\u00e1tno tak vlastn\u011b skr\u00fdv\u00e1\nn\u011bkolik p\u0159\u00edb\u011bh\u016f, o kter\u00fdch v\u00edm jenom j\u00e1.<\/p>\n\n\n\n

\n V\u00fdtvarn\u00e1\nd\u00edla V. Farn\u00e9ho nevyvol\u00e1vaj\u00ed dojem rozpolcenosti nebo naopak\nexploze. Jejich emotivita je obsa\u017eena sp\u00ed\u0161e v detailech,\njednotliv\u00fdch p\u0159echodech z n\u00e1lady do n\u00e1lady. Pr\u00e1v\u011b hravost, s\nn\u00ed\u017e autor experimentuje s v\u00fdznamy jednotliv\u00fdch barev, je\nur\u010duj\u00edc\u00edm momentem n\u00e1lady jeho obraz\u016f. \n<\/p>\n\n\n\n

\n „Nem\u016f\u017eu\nmalovat, kdy\u017e m\u00e1m moc velkou radost nebo moc velk\u00fd smutek. Mus\u00edm\nse c\u00edtit vyrovnan\u00fd. \n<\/p>\n\n\n\n

\nMaluju\nhlavn\u011b pro sebe, pro vlastn\u00ed pot\u011b\u0161en\u00ed a pokud podobn\u00e9 pocity po\nshl\u00e9dnut\u00ed m\u00fdch obraz\u016f m\u00e1 taky n\u011bkdo dal\u0161\u00ed, m\u00e1m z toho\nradost.<\/p>\n\n\n\n

Text p\u0159ipravil Robert Sedl\u00e1\u010dek<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

V\u00edt\u011bzslav Farn\u00fd se narodil 29.\u0159\u00edjna 1953 v Prost\u011bjov\u011b. Je\u0161t\u011b b\u011bhem studia na St\u0159edn\u00ed \u0161kole filmov\u00e9 nastoupil jako asistent kamery do \u010ceskoslovensk\u00e9 televize. Dnes pracuje jako kameraman \u010cesk\u00e9 televize. Prvn\u00ed obraz namaloval v roce 1995. „Prost\u011b se mi cht\u011blo,“ odpov\u00edd\u00e1 na ot\u00e1zku, pro\u010d se po dvaceti letech pr\u00e1ce kameramana rozhodl vz\u00edt do ruky \u0161t\u011btec. „Za kamerou […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.farny.eu\/index.php?rest_route=\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.farny.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.farny.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.farny.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.farny.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20"}],"version-history":[{"count":12,"href":"https:\/\/www.farny.eu\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":90,"href":"https:\/\/www.farny.eu\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions\/90"}],"wp:attachment":[{"href":"https:\/\/www.farny.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}